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Lady Jane Franklin's Piano

Contemporary Quilts

Departures & Arrivals

Metal Rajah Quilt

 

 

The Female Factory Historic Site has a growing collection of donated items which interpret the story of the Female Factory and the women transported as convicts to Van Diemen's Land.  The collections are well worth visiting and include:

 
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Contemporary Quilts from the Tasmanian Bicentennial Rajah Quilt Project
(Matron's Cottage, Yard 4)

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Departures and Arrivals - Handmade Style Colonial Bonnets
(Matron's Cottage, Yard 4)

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Metal Rajah Quilt
(Yard 3)

 

Lady Jane Franklin's Piano

This historic Broadwood upright piano has been beautifully restored and is now on view in the Matron's Cottage. The piano is on long-term loan from Stephen Kerin, a Tasmanian-born lawyer, a descendant of a convict imprisoned at Cascades Female Factory.

The piano was made in England and brought to Tasmania by Lieutenant-Governor John Franklin's wife, Jane, in 1836.

 

Contemporary Quilts from the Rajah Project
(2003/2004)

The major project for the Female Factory Historic Site Ltd in the Tasmanian Bicentennial Year (2004) was the facilitation of the loan of one of Australia's national treasures, the female convict made Rajah Quilt, from the National Gallery of Australia. 

In early July 2003, a group of women from around Tasmania met at Ross to discuss the possibility of bring the Rajah Quilt to Tasmania for the Tasmanian Bicentenary.  The meeting had been initiated by the Board of the Female Factory Historic Site Ltd.

The Rajah Quilt was stitched by convict women on board the ship, the Rajah, in 1841.  After being discovered in an attic in Scotland in 1987, the quilt was purchased and is held by the National Gallery and is sometimes made available for display in other Australian states.

As the project evolved, it was decided to invite Tasmanian women to create contemporary textile works that included quilts, wall hangings, etc in response to the Rajah Quilt and which would be exhibited in conjunction with the proposed display of the Rajah Quilt.  A database of interested women was created, a newsletter printed and circulated, discussions commenced with the National Gallery of Australia for the proposed loan of the Rajah Quilt, possible venues contacted regarding exhibition space, and sponsorship and grants sought. 

Negotiations with several corporate sponsors and submissions for grants were concluded successfully.   This financial support enabled the not inconsiderable freight costs and insurances for the Rajah Quilt to be met, the appointment of a designer and curator for the exhibition, and the design and production of an attractive poster and free catalogue, together with other associated costs.

A highly successful complementary exhibition of contemporary pieces was created by women from around Tasmania and the ACT.  The Tasmanian Rajah Quilt Project was shown in Launceston at the Queen Victoria Museum and Art Gallery and The Design Centre and in Hobart at the Tasmanian Museum and Art Gallery.  The exhibition attracted some 24,388 visitors from late September to early December. 

This project was designed to heighten public awareness of the site and the many facets of its history.  Four of the some 30 pieces that have been either gifted or are on loan to the Female Factory Historic Site Ltd are on display at the Matron's Cottage.  Mrs Honey Bacon accepted the textile pieces on behalf of the site on Saturday, 7 May 2005.

The collection of quilts and wall hangings have been invited to be a special feature of the second Australian Quilt Convention to be held in Melbourne, Victoria during January 2006, with a possible tour to regional Victorian cities and towns to follow.

One of the most exciting developments from the project is the possibility that could see the pieces shown in Liverpool during 2007-2008 when that city is the nominated City of European Culture and will host an exciting year long festival.  The festival will be under the direction of internationally known Australian, artist, performer and Festive Director, Robyn Archer. 

Ms Archer has directed the famous Adelaide Festival, Melbourne Festival and has just successfully delivered three cultural festivals for Tasmania, the highly acclaimed Ten Days on the Island.  She is the first Australian ever appointed to direct a City of European Culture Festival and has expressed great interest in the involvement of the Contemporary Quilts exhibition.  This involvement would be particularly fitting as so many women from Liverpool and Irish women commenced their journey to Australia from that city.

 

Departures and Arrivals
(2003/2004)

On view in the Matron's Cottage is a small display of some of the bonnets and photos of this exhibition.  It is expected a more comprehensive display, together with storyboards, will shortly be installed in the cottage.

 

Metal Rajah Quilt

The Metal Rajah Quilt was launched at the Female Factory Muster in 2004 and is now on permanent display at the Cascades Female Factory Historic Site.  Drop by and admire its craftsmanship!

The quilt honours the original Rajah Quilt and its makers.  First, it had to be able to weather the weather — to withstand the storms that parallel the storms that had overtaken the lives of the convict women.  Second, it was not to be beautiful in the conventional sense — life for the Rajah women was not beautiful.Detail of Metal Rajah Quilt

The recycled metal signifies the strength and resilience of the Rajah women.  The patchwork pieces cut from abandoned and discarded items have been brought together to make a new and unrelated object.  This act draws a parallel with the women of the Rajah, cut from their old lives and cobbled together to make a new life.

The spaces represent the loss of family, friends and homeland, and the void into which they were travelling.  What was ahead for the Rajah women? 

Bird in Metal Rajah QuiltThe birds are both migrating birds of passage and blue birds of happiness, the utopian dream.  They are also the armorial bearers of the central panel.  They hold aloft the inscribed plate in honour of the women and children of the Rajah.

The metal quilt is 2m by 2m, securely attached to a metal stand designed to be bolted into a concrete base as a permanent structure.  It is made form recycled metal — copper, brass, iron — with an engraved central brass panel listing the women transported on the Rajah.

When the quilt was launched at the Female Factory Muster, it received a lot of interest - and continues to do so from visitors to the site.


Click on image to view at full size.

Made by Senior Momentum — Frances Watson, Jennifer Line, Jan Barker, Sam Murdoch, with assistance of many other members.  Funding from the Australian Government Regional Arts Fund and Women Tasmania.  Supported by Recovery Inc.


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Last updated 25 December 2007

         

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